Casts From the Past IX

Casts From the Past is a recurring retrospective of select Palladio GFRG projects.

An entablature squats beside the mould from which it was just released. As the drawings demonstrate, it will sit beneath the spring line of a canopy atop the column capital.  

The screen of an infrared camera reveals the difference in moisture content of two plaster mouldings in the distance.

An infrared image shows the difference in moisture content of the two casts in the background. The darker piece on the left has just begin to dry. The other is nearly dry and barely visible.

Ten foot tall octogonal columns stand drying out in a plaster studio.

These imposing sentinels are the shafts for 12-foot-tall octagonal columns, destined to line a cathedral. 

The base of an altar is composed of several plaster profiles and a circular medallion.

This altar’s base is composed of glass-fiber-reinforced gypsum. GFRG is light, strong, dependable, and, if that’s not enough, its glass fibers are created from post-consumer recycled materials.

This mold for the altar's base is a reverse image of the completed piece.

This is a plaster or “reverse” mold, so called because it’s the reverse of the finished part. The earliest technique for molding, reverse molds are destroyed during demolding and date back centuries. Exactly how old we’ll feel if this one-time mold doesn’t work perfectly!

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Casts From the Past VIII